These were then applied to multiple planes in front of the camera and staggered to achieve an equivalent to the volumetric effect possible in other software.Īnother great discovery from Herbo Madsen was using Quixel Mixer to generate a seamless texture that reduces the usual repetition that often makes the CGI obvious. I edited and combined some assets to create my own seamless textures for raindrops splashing on the ground and fog.
This article called “Cyberpunk in Enscape by Lasse Herbo Madsen” on the Enscape blog inspired me to try something new and try to create that wet weather look we often have in the UK. Rain, puddles and good fog aren’t really available in Enscape like in Lumion. In my company most architects will just scatter these everywhere and it actually takes you out of the scene when the people look unnatural. Creating a narrative by making the assets interact with each other or the architecture is key. I try to use Enscape’s base library of assets to generate scenes as much as I can, I find they’re of a great quality especially at a distance from the camera and it allows me to keep my workflow in Revit checking the results in the real-time renderer. I quite liked the image, but without a theme pulling it together it still felt quite empty and aimless. I created a quick concept image to test ideas and framing for the scene. I was inspired by the image MIT Day Versus Night by Alex Hogrefe that can be found here:
I try to achieve everything in scene as there’s nothing worse than spending a lot of time in Photoshop and the client changing the angle last minute (guaranteed to happen). Enscape works well as I can constantly refine the scene and see the updates in real-time. I work as an Architect and usually have very limited time for any architectural visualisations so I often have to make this part of designing the building in Revit. This is a personal project that I used to test the capability of Enscape and create a portfolio piece.
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